Friday, September 23, 2011

The Power of Praise & Worship

The Power of Praise & Worship

By Dr. Dale A. Robbins

Acts 16:23-26 “And when they had laid many stripes upon them, they cast them into prison, charging the jailor to keep them safely:

(24) Who, having received such a charge, thrust them into the inner prison, and made their feet fast in the stocks.

(25) And at midnight Paul and Silas prayed, and sang praises unto God: and the prisoners heard them.

(26) And suddenly there was a great earthquake, so that the foundations of the prison were shaken: and immediately all the doors were opened, and every one’s bands were loosed.”

This Bible story begins the unjust arrest of Paul and Silas. Because they had cast a spirit of divination out of a girl, the local Philippian authorities beat them and then threw them into a jail cell. Besides the trauma of the severe beating, they were fastened in stocks which clamped their arms and legs in an immobile position, causing cramps and loss of circulation. The atmosphere there was depressing. According to the standards of that day, a prison was more like the resemblance of a dungeon. A dark, damp, stench-ridden place, with no facility for waste or comforts of any kind.

Yet, in spite of the throbbing pain in their bodies and the disheartening atmosphere, at midnight Paul and Silas were heard praying and singing praises to God! What a strange sound this must have been to the other prisoners, who were used to only hearing the groans or cursings of those who had been beaten.

Then suddenly, there was an earthquake that shook the prison! The doors flung open, and amazingly, the bonds of Paul, Silas, and every other prisoner were released! What caused this mighty discharge of power?

Praise Elevates us into God’s Presence and Power

Paul and Silas knew the secret of how to lift their hearts above their troubles and enter into God’s presence and power. Through praise and worship their hearts were raised into the joyous presence and peace of God, and provided God a channel for his power to operate in their circumstances.

The Bible says that God inhabits in the praises of His people (Psalms 22:3). In other words, God “dwells” in the atmosphere of His praise. This means that praise is not merely a reaction from coming into His presence - Praise is a vehicle of faith which brings us into the presence and power of God! Praise and worship is the “gate-pass” which allows us to enter the sacredness of His glory. The psalmist writes, “Enter into his gates with thanksgiving, and into his courts with praise: be thankful unto him, and bless his name” (Psalms 100:4).

This corresponds with Jesus’ teaching, that His presence will inhabit the gathering of believers who congregate in His name: “For where two or three are gathered together in my name, there am I in the midst of them” (Matthew 18:20). A “gathering in His name” means that Jesus must be the focus, the center of the assemblage. He must be the one preached about, sung about — the one praised and worshiped. “I will declare thy name unto my brethren, in the midst of the church will I sing praise unto thee” (Hebrews 2:12). Consequently, Christ’s presence, along with His virtue and anointing, is manifested in this type of gathering.

Have you ever noticed when “gifts of the Spirit” operate in a church service? The power and anointing of the Holy Spirit usually becomes evident, subsequent to a time of worship and praise. Some think that worship is a response after the Holy Spirit moves upon them. However, it’s the other way around. God’s presence responds when we move upon Him with worship! Lifting up Jesus Christ through praise and worship invokes the Lord’s presence and power to flow in our midst.

What is Praise?

Praise means “to commend, to applaud or magnify.” For the Christian, praise to God is an expression of worship, lifting-up and glorifying the Lord. It is an expression of humbling ourselves and centering our attention upon the Lord with heart-felt expressions of love, adoration and thanksgiving. High praises bring our spirit into a pinnacle of fellowship and intimacy between ourselves and God — it magnifies our awareness of our spiritual union with the most high God. Praise transports us into the realm of the supernatural and into the power of God. “Blessed is the people that know the joyful sound: they shall walk, O LORD, in the light of thy countenance” (Psalms 89:15).

There are many actions involved with praise to God — verbal expressions of adoration and thanksgiving, singing, playing instruments, shouting, dancing, lifting or clapping our hands. But true praise is not “merely” going through these motions. Jesus spoke about the hypocrisy of the pharisees, whose worship was only an outward show and not from the heart. “This people draweth nigh unto me with their mouth, and honoureth me with their lips; but their heart is far from me” (Matthew 15:8). Genuine praise to God is a matter of humility and sincere devotion to the Lord from within.

Unpretentious praise and worship pleases the Lord. He delights in the love and devotion of His children. According to the scriptures, the various expressions of praise bring blessing to the Lord. He eagerly awaits the fragrance of our affections, desiring to manifest His sweet presence and power in our midst. “...the true worshipers shall worship the Father in spirit and in truth: for the Father seeketh such to worship him” (John 4:23).

Praise to God is a Lifestyle

All too often, praise to God is something that many people leave at church, an event that happens only when they come together with other Christians. However, praise should be a part of a believers lifestyle, inter-mingled as a part of their daily prayer-life. At work, in the car, at home in bed, or anywhere; praise to the Lord brings the refreshing of the Lord’s presence, along with His power and anointing. “...I will bless the LORD at all times: his praise shall continually be in my mouth” (Psalms 34:1).

Praise is an expression of faith, and a declaration of victory! It declares that we believe God is with us and is in control of the outcome of all our circumstances (Romans 8:28). Praise is a “sacrifice,” something that we offer to God sacrificially, not just because we feel like it, but because we believe in Him and wish to please Him. “By him therefore let us offer the sacrifice of praise to God continually, that is, the fruit of our lips giving thanks to his name” (Hebrews 13:15).

Praise Sends the Enemy Running

Since praise manifests God’s presence, we also realize that praise repels the presence of the enemy, Satan. An atmosphere which is filled with sincere worship and praise to God by humble and contrite hearts is disgusting to the Devil. He fears the power in the name of Jesus, and flees from the Lord’s habitation in praise. “Whoso offereth praise glorifieth me: and to him that ordereth his conversation aright will I show the salvation of God” (Psalms 50:23).

When the children of Judah found themselves outnumbered by the hostile armies of Ammon, Moab, and mount Seir, King Jehoshophat and all the people sought the Lord for His help. The Lord assured the people that this would be His battle. He told them to go out against them, and He would do the fighting for them. So what did the children of Judah do? Being the people of “praise” (Judah actually means Praise), and knowing that God manifests His power through praise, they sent their army against their enemies, led by the praisers!

So on they went, ahead of the army declaring, “Praise the Lord, for His mercy endureth forever!” And the scripture says, “...when they began to sing and to praise, the LORD set ambushments against the children of Ammon, Moab, and mount Seir, which were come against Judah; and they were smitten” (2 Chronicles 20:22).

When God’s people begin to praise His name, it sends the enemy running! I challenge you to become a person of praise, and you will experience the release of the power of God!

Thursday, September 8, 2011

Why Hast Thou Made Me Thus?

Why Hast Thou Made Me Thus?
Dr. Joe Temple

Introduction

We want to continue our discussion on the series which we have followed for sometime now, Questions Which Demand An Answer . When we use this theme, we are not talking about Bible questions that you might turn to chapter and verse and find the answer. We are not talking about biblical information. We are talking about those questions with which we are faced in life and which demand an answer. They demand an answer for our own peace of mind. They demand an answer for our own welfare. They demand an answer for guidance in what needs to be done, and I am glad to say today that the questions which demand an answer are not new. They have been asked by others before. They have been recorded in the Word of God, and the solution to the problem which gave rise to the question is always given.

Notice what I said. The solution to the problem which gave rise to the question is always given in the Word of God. There are some questions which arise in life for which we do not have the answer and on this side of Heaven we will never have the answer; but the solution to the problem which caused the question to be raised is always given in God's Word.

Today I want you to think with me about a question, “Why hast Thou made me thus? God, why did You make me this way? Why am I this way?”, and with that question, all of the side issues that are involved in it. This is a very important question in our day, perhaps more important than in any other day because of the advancement in science and medicines, so that individuals today can be told, parents can be told to some degree (Notice what I am saying. I do not want to be misquoted.) what kind of offspring they are going to have. There is a feeling on the part of some today that if the child which is about to be born is less than perfect, as we think of that word in regard to the birth of a baby, there is just cause to terminate the pregnancy. That is related to this question, “Why hast Thou made me thus?” Why does God let things like this happen?

Only recently we prayed for a precious little baby, who evidently was born with an aorta that was not properly formed, with a hole in the wall between the chambers of his heart. He has already undergone one surgery and will have to undergo other surgery when the doctors feel that he is able to undergo them. The question could well be, on the part of that child were he to speak, “God why hast Thou made me thus?” Parents and loved ones, not in rebellion, but simply because it is a tremendous shock to realize that little one which you love so much has got problems ask, “God, why? God, why hast Thou made me thus?”

This is the question we want to consider with you today. I would like for you to turn in your Bibles to the book of Romans, chapter 9. As you turn to that portion of the Word of God, let me share with you that the Apostle Paul is describing a situation that grew out of the manner in which God dealt with the nation of Israel. Because God dealt with the nation of Israel in the manner in which He did, the Apostle Paul said, in verse 14:

Romans 9:

14 What shall we say then? Is there unrighteousness with God? God forbid.
15 For he saith to Moses, I will have mercy on whom I will have mercy, and I will have compassion on whom I will have compassion.
16 So then it is not of him that willeth, nor of him that runneth, but of God that sheweth mercy.
17 For the scripture saith unto Pharaoh, Even for this same purpose have I raised thee up, that I might shew my power in thee, and that my name might be declared throughout all the earth.
18 Therefore hath he mercy on whom he will have mercy, and whom he will he hardeneth.
19 Thou wilt say then unto me, Why doth he yet find fault? For who hath resisted his will?
20 Nay but, O man, who art thou that repliest against God? Shall the thing formed say to him that formed it, Why hast thou made me thus?

If you will look at verse 20, you find clearly stated there, the question we are considering, “Why hast thou made me thus?” We do not have time for an exposition of Romans, chapter 9, but it will be helpful for us to have a bit of the Word concerning the background of the text which we are considering together. I said to you that it was based upon the fact that God did certain things in regard to the nation of Israel to accomplish His divine purpose. He had a job for Israel to do. In order to bring that thing to pass, He had to do things that seemed terribly unfair and terribly unjust.

Background of the Text

A very brief summary of that background is given in verses 8-13 of this chapter. You will notice in verse 8:

Romans 9:

8 That is, They which are the children of the flesh, these are not the children of God: but the children of the promise are counted for the seed.
9 For this is the word of promise, At this time will I come, and Sarah shall have a son.
10 And not only this; but when Rebecca also had conceived by one, even by our father Isaac;
11 (For the children being not yet born, neither having done any good or evil, that the purpose of God according to election might stand, not of works, but of him that calleth;)
12 It was said unto her, The elder shall serve the younger.
13 As it is written, Jacob have I loved, but Esau have I hated.

You will want to center your attention on that last statement: “…Jacob have I loved, but Esau have I hated.” Abraham had married Hagar out of the will of God. To that union was born a son, Ishmael. Hagar, Sarah and Abraham for a time all thought that God's promise to Abraham concerning Abraham as the progenitor of the nation of Israel would bless the world through Ishmael, and God said, “That can't be.” So He performed a miracle in the womb of Sarah and Isaac was born. Then God said to Abraham, “Your seed is going to be called, not through Ishmael, but through Isaac.

There began a battle that exists to this day. The Edomites, the Moabites, the Palestinian organization that is attacking Israel today and vice versa is part of the problem that began back yonder. God said, “I have to change the whole picture. Later in another generation, Esau was born. He was the firstborn and everything should have come down to him, but God said, “No, I have made the decision on the basis of My sovereign will and wisdom that Jacob is going to be the leader instead of Esau for a very simple reason.” Esau was a profane man dedicated to the idea of the flesh, and Jacob (although from some of his actions it is hard for us to believe) was a spiritual man dedicated to the cause of God. So to explain that relationship, God said, concerning these two boys, “Jacob have I loved, but Esau have I hated.”

All through the years I have had to deal with people who are distressed by that statement. How could God love one and hate another? The simplest thing to do is to keep in mind that that is a relative statement. It is a matter of choice. If you study the record that is given in the Word of God, you will find that God cared just as much for Esau, provided just as much for Esau as He did for Jacob, but because of God's purpose and plan, there was a choice made. God loved Jacob; God hated Esau. God made a choice and God made a decision and God performed an act. Out of that choice, out of that decision, there arose this question we are considering today: “Why hast Thou made me thus?”

Having given you the background so that you will know that we haven't just taken a verse out of some part of the Word of God and put it out by itself and built something around it, I want you to table that background, as far as the rest of our discussion goes, and look at the question as it applies to you and to me. “Why hast Thou made me thus? God, why did You make me this way?”

Physical Affliction

This question, if we limit our remarks to illustrations given in the Word of God, is a question that is raised in a number of different areas all down through the ages. One of the areas in which it is raised is in regard to what I am going to call physical affliction, using the term very generally and very broadly. Sometimes we speak now of retarded children; sometimes we speak of exceptional children. Whatever term we use, we use a term that describes children who have problems which have to be dealt with—afflictions, imperfections, whatever.

We ask the question, quite often I say, in regard to physical affliction, and one of the interesting illustrations of the question asked in that area is recorded in the Gospel of John, chapter 9. If you turn there with me the words will become immediately familiar to you. We read from verse 1:

John 9:

1 And as Jesus passed by, he saw a man which was blind from his birth.
2 And his disciples asked him, saying, Master, who did sin, this man, or his parents, that he was born blind?
3 Jesus answered, Neither hath this man sinned, nor his parents…

Let's stop right there because really that is where the story ends. Here is man who was born blind, and people in that day were no different than people in our day. They had to have a reason. Why would this little baby be born blind? Their sense of sight was limited, so they said, “I wonder if his parents sinned and if the birth of this blind baby is a judgment on the parents?”

Then to show you how ridiculous the silly frothing of men can be, they said, “Did this baby sin?” Think about that for a moment. How in the world could a little baby just being born into the world be accused of sin? You see, when we try to solve problems on a human level, when we try to find the answer to perplexing problems on the basis of what we might dream up as a reason, how ridiculous we can be.

Did you notice what the Lord Jesus Christ did? I think if we had been there that day, we would have heard Him speak rather sharply when He said, in verse 3, “Neither hath this man sinned, nor his parents have sinned…” “Don't be silly. His parents didn't sin and he didn't sin. Sin has nothing to do with it.”

Now notice what He said:

John 9:

3 …but that the works of God should be made manifest in him.
4 I must work the works of him that sent me, while it is day: the night cometh, when no man can work.
5 As long as I am in the world, I am the light of the world.

I read that passage rather hurridly so that you would not be tempted to stop as many people do at the end of verse 3. Many people stop there. “Why was this child born blind? Did his parents sin? Did he sin?” “No,” Jesus said, “they didn't sin.” “Well then, why was he born blind?” Then Jesus, so some folk think, said, “That the works of God might be glorified.”

What a terrible aspersion, what a terrible way to malign God, to say that God would deliberately permit a child to be born into the world so that He might have a backdrop to manifest His glory. It irritates me that people would malign God in that way. Of course, that was not the reason, and if you read the passage as I read it, you see that Jesus did not mean that. Jesus did not answer the question, “Why was the child born blind?”, other than to rebuke their foolish assumption that sin was involved. He said, “The child is born blind and now I must work the works of God. Here is an opportunity for the works of God to be manifest. Here is an opportunity for Me to work while there is still time to work.” And He worked.

Let me say in a bit of a digression, although it is needed, if we could look upon all of the problems that drive us to ask the question, “Why hast Thou made me thus?”, as an opportunity for God to work the works of God and to bring glory to His name, my, what a wonderful thing it would be. Someone asked me, concerning a little baby who needed extensive medical work to repair the imperfections with which he was born, “Do you think people ought to do that? If God let that baby be born that way, why not just let the baby live that way? Why interfere with something that God has done?”

Oh my! The reason I know God is a God of mercy is that He puts up with us. We are so foolish, so foolish. Here is an opportunity to work the works of God and if God is pleased to work the works of God through the skill of men who are able with their hands and their wisdom to repair imperfections, it is an opportunity to do it. It is something that will bring glory to God. Yes, we ask the question often in the area of the physical, “Why hast Thou made me thus?”

Personality Traits

We can't dwell on that too long because there are other things that need to be said, and I want to share with you that quite often we ask this question in regard to personality traits. “Why God, did You make me this way?” Personality traits. What can I say? Time does not permit to look at all the traits with which you are familiar and about which you have wondered, but let's look at an example or two from the Word of God.

Here is Esau and Jacob. We referred to them a moment or two ago. Esau was profane and Jacob was spiritual, and it was not all together because of their development. It was related to their tendencies. Esau could have said, “God, why did you make me love in the flesh so much? Old Jacob over there—it is easy for him. He has a tendency to be spiritual.”

Mary and Martha. Martha didn't ask God so much why He made her that way, but she asked Him why He made Mary that way. Martha was always busy about much service. If you study her life, she was full of personality traits that hindered her. Mary was quite content to relax. You have had experiences like that. You know people who are able to breeze through anything. Nothing bothers them and you get up tight about nearly everything, and you find yourself saying, “God, why did You make me this way? Why didn't You make me like them?”

There are people who are always happy, people who are joyful, people who love to be doing things and you wish you were like that. God makes each one of us different and we ask the question in regard to personality traits, “God, why did You make me like this? Why didn't You make me like someone else?”

Our Position in Life

Let me suggest another area in which the question is asked. As I make these suggestions, if you are thinking, most of us have said, “Yes, I have felt that way. I might not have actually said it to God, but I have felt that way.” We ask this question often in regard to our position in life.

I have asked you to turn to I Corinthians, chapter 12, just so you can glance at it. Many of you are familiar with it. In verses 12-27, we are given an illustration of how God puts Christians in the Body of Christ in regard to one another much as the members of our bodies are related to one another. He puts us in those positions in the Body of Christ that we might serve effectively because He knows the position in which we will serve the most effectively. If we wanted to limit our discussion just to the Body of Christ, we could find ourselves saying, “Lord, why did You make me a big toe that has to be covered up with a smelly, thick sock all the time? God, why couldn't You have made me an eye? Why couldn't You have made me an ear?”

Some folk, I guess, would say, “Why couldn't You have made me a mouth?”, and when we know them we say, “Thank God, He didn't.” We are unhappy where we are. We are unhappy with our position in the Body of Christ. On a much broader sense, we are unhappy about our position in life. We ask the question, “God, why is it that I work hard, and God, You know that I do, and I can barely eke out an existence; I can barely feed my family. I never have anything left over for anything, and Lord, here is so and so over here and they don't look like they do any more than I do. They don't look like they are any better than I am, Lord; they waste more money on foolishness than I feed my family with. Lord, why have You make me this way? Why have You put me in this position?”

I think you are following me and I don't think there is any need to go further in giving illustrations and examples of the areas in which this particular question was asked; but before we get to the solution to the problem, I would like for us to understand something because we will never understand the solution unless we understand that this question, “Why hast Thou made me thus?”, is always considered an unbecoming question. It is something that you really, if you knew the rest of what I am going to tell you before we are through, if you believe the rest of what I am going to tell you, you would realize that you are completely out of place in saying to God, “God, why hast Thou made me thus?”

I am not suggesting that you keep these feelings pent up within you until you can stand it no longer, then burst out in a sudden act of rage. I am not saying that. I am saying that when we know the truth of the Word, we will realize that we should not ask the question, “Why hast Thou made me thus?”

One illustration of how unbecoming it is is found in the book of Romans, chapter 9, and notice a verse which we have read already in our discussion, but we look at it from a different standpoint. In verse 20, we read:

Romans 9:

20 Nay but, O man, who art thou that repliest against God? Shall the thing formed say to him that formed it, Why hast thou made me thus?

That is our question, but how dare you ask a question like that. “Shall the thing formed say to Him that formed it, ‘Why hast thou made me thus'?” Who are you to reply against God? Who are you to question God? The idea that you, the work of God's hand, a mere creature, would look up into the face of God and say, “God, I don't like the way You made me. I don't like it, and I'm not going to live with it. I want it different. I don't like it at all.” Who are you to reply against God?

If you catch the sense of the verse, you recognize that there is a feeling of utter amazement that you would question the wisdom of God. Now, in Isaiah, chapter 29, verse 16, the question is asked again, but asked in a way that illustrates to ask such a question is literally turning things upside down, getting things all together out of proportion to reality as a matter of fact. You see here the very idea of turning things upside down is brought to our attention. Notice in verse 16:

Isaiah 29:

16 Surely your turning of things upside down shall be esteemed as the potter's clay: for shall the work say of him that made it, He made me not? or shall the thing framed say of him that framed it, He had no understanding?

This passage of Scripture is found in an incident in the life of Israel when she decided to turn her back on the advice of God and go down into the land of Egypt. She suffered for her folly and she began to blame God for it and to say that God did everything wrong. The prophet said, “You're turning things upside down when you say a thing like that. You are the potter's clay. Here is the potter. You are putting yourself above God, and you are saying to God, ‘You didn't do this thing right, God'.” As we are going to see in a moment, it went a little bit deeper, “You are saying, ‘God, You didn't know what You were doing in the first place'.”

I don't know how many of us have reached that place in our lives where we have been that deliberate in what we have said to God. I don't know how many of us have been that bitter where we have said to God, “God, You just don't know what it is all about,” but these folk did, all when they were bothered because of things they could not understand.

Turn to Isaiah, chapter 45, and we find the incongruity of asking a question like that described in verse 9 because there we discover that earthenware things should talk to earthenware things. You should criticize people on your own level. Chapter 45 of the book of Isaiah is God's discussion of Cyrus, a man who was not born again, a man whom God had chosen to be His servant to accomplish His purpose. Yes, sometimes God does use wicked men to accomplish His purpose. Sometimes He passes over godly men to use wicked men to accomplish His purposes. That does not mean that He endorses the wicked man; it simply means that that is His right as sovereign God to do as He will, and here in chapter 45 of the book of Isaiah, God mentions how foolish it is for individuals who question the wisdom of God in regard to activities such as we are discussing because they are on a different level than God. Look at verse 9:

Isaiah 45:

9 Woe unto him that striveth with his Maker! Let the potsherd strive with the potsherds of the earth. Shall the clay say to him that fashioneth it, What makest thou? or thy work, He hath no hands?

Notice the phrase, “Let the potsherd strive with the potsherds of the earth.” That word potsherd simply refers to a piece of pottery made out of earth, and that is the reason I say that earthenware things strive with earthenware things. That is what Isaiah said. “Don't go around striving with God about these things. You are in no position to strive with God. You are in no position to question God. If you have anything to fuss about, fuss about it with people on your own level, but don't fuss about it with God because you are not capable of fussing about it with God.”

You are not helped very much, are you? You pretty well know deep down inside, that you have no business questioning God, so what is the point of all of this? That is the answer: “God, why hast Thou made me thus?” Can we tune our ear to Heaven and hear God say, “My child, I will tell you why I made you that way.”? No, we can't. There is not any answer of any illustration in the Word of God which indicates that God has ever or will ever tell you why He did it; but God has laid down some principles in the Word of God which will enable you to live with the situation with which you are faced, which will enable you to see that in some instances you are a privileged person because God made you the way He made you, which will enable you to see that God has opened a door of wide opportunity because He has given to you some child whom you maybe have wondered why He made this child in this fashion.

Recognition of God's Sovereignty

I want to share with you in the remaining time that we have today some principles which if we recognize will enable us to see this thing in its right perspective. The first thing I would suggest to you is that there must be a recognition of God's sovereignty. If you are paying attention, you know that we are going back and forth from Scripture to Scripture that we have looked at, at another time in this discussion, but we go back because we are making a particular point at a given time. We now make another point. What we are saying to you is that when the question arises in your mind, “God why am I made this way? Why am I in this situation? It is so unfair. It is so unreasonable. God why?”, you must recognize the sovereignty of God as illustrated in Romans, chapter 9, verse 16, where God said:

Romans 9:

16 So then it is not of him that willeth, nor of him that runneth, but of God that sheweth mercy.

What does that mean? It doesn't matter what you will and it doesn't matter what you run or how you run because you are still an unprofitable servant. It is God's mercy.

I met a man this week and I said to him, “How are you?” He said what he always says to me, “Better than I deserve.” Then I said to him what I always say, “Thank God I don't get what I deserve.” And I mean that. You see, who are we who deserve nothing but the mercy of God anyway? You see, we have no claim on God. God does not owe us anything. “It is not of him who will or him that runs, but it is God who shows mercy.” The idea is that God is in charge. Look at verse 19:

Romans 9:

19 Thou wilt say then unto me, Why doth he yet find fault? For who hath resisted his will?

What are we reading? “Well, if it is all up to God, why does God blame us for anything we do? We can't resist His will. If that is the way it is going to be, that is the way it is going to be.”

That is exactly what the Devil loves for people to think because it creates a fatalistic attitude on the part of people whereby they do not even seek the will of God about anything. Now notice verse 21:

Romans 9:

21 Hath not the potter power over the clay, of the same lump to make one vessel unto honour, and another unto dishonour?

He is the potter. Does He not have the right to make this vessel to honor and one of dishonor? Does God have the right to do that? Does He? If He is God, if He is sovereign, He has that right. We must recognize that no matter what God does to us we have no right to question it.

I can hear any number of people saying, “I don't like that. I don't like that and I don't want to live that way.” Well, that is your privilege, but you are going to have a whole lot more peace if you recognize that God is sovereign and that God can do what He wills to do. God, as sovereign, is a God who can do what He wants to do without asking you.

Confidence in Wisdom of God

Someone may say, “That is hard; that is cruel.” Let me offer two more things to you that will help it to be a bit easier. The second one is confidence in the wisdom of God . When you and I learn to have confidence in the wisdom of God, then we will be able to relax and we won't be asking the question in rebellion, “Why hast Thou made me thus?”

Go back to the book of Isaiah, chapter 29, and notice verse 16:

Isaiah 29:

16 Surely your turning of things upside down shall be esteemed as the potter's clay: for shall the work say of him that made it, He made me not? or [notice carefully] shall the thing framed say of him that framed it, He had no understanding?

“Lord, why hast Thou made me thus?” God might say to us, “When you ask Me that question, are you saying that I didn't know what I was doing? When you ask Me that question, are you saying that I don't know what it is all about?”

Stop and think about it for a moment. That is exactly what we are doing when we say to God by way of complaint, “God, why hast Thou made me thus?” We are saying, “God, why did You make me this way? You must not have known what You were doing or You wouldn't have done it this way.”

We must have faith in the wisdom of God. We must believe His ways are right. Remember what He said in Isaiah, chapter 55, verses 8-9:

Isaiah 55:

8 For my thoughts are not your thoughts, neither are your ways my ways, saith the LORD.
9 For as the heavens are higher than the earth, so are my ways higher than your ways, and my thoughts than your thoughts.

It is impossible for us to ever understand fully the ways of God. What can you do about it—chew your fingernails and say, “God, I don't understand this.”? You can take the step of faith that the Psalmist took recorded in Psalm 131, verse 1. He said: “I will not concern myself with matters that are too high for me.”

Some folk have said that that is a cop-out if you just won't think about it if you can't solve it. That is not what the Psalmist said. The Psalmist said, “I have confidence in God enough to know that the judge of all the earth doeth right and therefore I am not going to concern myself with matters too high for me.”

Confidence in God's Will

One other thought I would leave with you today. If you are going to live with these questions, not having the answer to the problems that it creates, I am going to suggest that there is going to be a need on your part of confidence in the skill of God. Some folk do not have confidence in His wisdom. There are other folk who do not have confidence in His skill. Back to Isaiah, chapter 45, this time beginning with verse 11:

Isaiah 45:

11 Thus saith the LORD, the Holy One of Israel, and his Maker, Ask me of things to come concerning my sons, and concerning the work of my hands command ye me.
12 I have made the earth, and created man upon it: I, even my hands, have stretched out the heavens, and all their host have I commanded.

God is in complete charge of the whole situation and for that reason go back to verse 9, which we read earlier. There is no point in the potsherd striving with the potter:

Isaiah 45:

9 …What makest thou? or thy work, He hath no hands?

I want you to think about that last statement for just a bit because if you read it the way it is in the King James text, you read it the way it is in The New American Standard Version , it would seem to suggest that God made a work that didn't have any hands. Really, that is not what the original text is saying. What it is saying is this, “Should thy work say to God, ‘You have no skill'?” Think about it. Here is a child born less than perfect. What do we do? “God, why did You make this child this way?” Do we become bitter or do we say, “God, I have perfect confidence in Your skills. You didn't make a mistake. There is a reason. There is a purpose.”

When you and I have learned to recognize God as sovereign—He can do what He will—when you and I learn that confidence in the wisdom of God that He always does that which is right, when you and I learn to have confidence in the skill of God, that nobody can do it any better than He can, then we can say, when we find ourselves in a place that we do not particularly like, “God, why has Thou made me thus? God thank You for this Your creation. Now, what is there for me to do?”

God as the Potter

My last word to you is concerning God as the Potter. You are familiar with the story of Jeremiah who needed to go down to the potter's house to learn a lesson. Read it when you have time in Jeremiah, chapter 18, verses 1-6. There are two doctrines taught in that one passage of Scripture—the doctrine of surrender and the doctrine of the second chance.

Remember, that clay was marred in the hands of the potter. Read the passage carefully with related passages and the original text in mind and you will discover that it wasn't the potter who made the mistake. It was something in the clay that made it impossible for the potter to make the vessel he wanted to make. That is the doctrine of surrender. Stay pliable in the hands of the potter, and He will be able to make a vessel that will be for His glory.

The doctrine of the second chance—you read that story carelessly and you get the idea that the potter took the clay from off the potter's wheel and slung it on the heap and started all over again. That is not what happened. He took that same clay and made it into another vessel. So much emphasis is placed so often on the first part of the story that he could not make it into what he wanted to that little emphasis is placed upon the second part of the story—he made it into another vessel. Thank God today for the doctrine of the second chance.

Conclusion

If God has put you in a situation where you say to Him, “God, why have You made me this way?”, recognizing all of the things that I have shared with you, then say, “God, here I am in this situation. You make out of it that which will bring glory to your name.” I guarantee you that you will be amazed at what God will do because God loves to work with pliable clay in the right situation.


www.livingbiblestudies.org

Monday, September 5, 2011

God Is Not Poor

God Is Not Poor

PSALM 50:12 NASB
12 "If I were hungry, I would not tell you; for the world is
Mine, and all it contains.

HAGGAI 2:8 NASB
8 `The silver is Mine, and the gold is Mine,' declares the LORD
of hosts.

You probably knew that God is rich. But have you thought about
what that means?

Since God is not poor, surely He would not desire His children
to suffer poverty.

Misunderstanding has developed because most Christians think
Jesus was poor and that His followers should also be poor. Not
necessarily true, but a strong tradition.

Why did God create all the wealth of this world? Surely not for
the devil and his crowd.

God does not withhold good from us but desires blessing for all
His children. If it were otherwise, God would not even be as
good as earthly parents.

Any court would condemn an earthly father, who, although rich,
withheld support from his children. Should we think our Father
God is any less loving and caring and giving than an earthly
father? NO! Jesus taught that our Heavenly Father is much more
gracious and generous than any earthly father.

MATTHEW 7:11 NASB
11 "If you then, being evil, know how to give good gifts to
your children, how much more shall your Father who is in heaven
give what is good to those who ask Him!

Just because you have not yet received the fullness of God's
blessing does not mean God does not desire that you have it. We
must grow up and quit blaming God. Instead, we should seek Him
for understanding and help so that we may receive all God has
for us.

Yes, God warns against trusting in riches or being deceived by
them. Anything can be dangerous if not used properly. Fire can
maim and kill, yet properly controlled it is a great blessing.
So it is with money.

God is not against His children having wealth. He just does not
want us to trust in it and worship it.

PSALM 35:27 NASB
27 . . ."The LORD be magnified, who delights in the prosperity
of His servant."

Let's line our thinking up with the Bible and quit letting the
devil rob us of the blessings God intends for us.

SAY THIS: God is my wealthy Father Who loves me and delights to
bless me.

Monday, August 22, 2011

Demons and Sex



Demons love and emphasize any all varieties of sexual behavior. The demons will use a spiritual channel that has been established through a legal right to enter the physical bodies of their "hosts" and give more intensified pleasure to encourage sexual behavior.

Christians need to watch  their thoughts and the behavior of their loved ones and friends. Sexual demons can gain legal rights though the abuse those in family authority. To make matters worse there can be generational sins of lust, rape and abuse that comes through the bloodline similar to having a special disease coming through the bloodline.

Lies Demons tell concerning their identity

Spirit of a deceased loved one Women communicate through a Ouija Board to speak with a decease finance.
Spirit that protects and guides Gives enough truth but mingles statement with lies.
Spirit that will tell the future Makes person depend on demonic knowledge instead of the person thinking for themselves.
Spirit that gives power over others Power to manipulate others to get what you want.
Spirit that is an angel Good spirit and would never do any harm.

Demonic Legal Rights Types of Demons Weaknesses of Host
Generational demons rape, murder, lust, addictions, physical abuse of parents and family members to children and the weak. Ignorance of Generational curses in previous generations.
Pornography lust, perversion, rape and abuse, masturbation continuously thinking and concentrating on sexual imagery and behavior
Spirit Channeling-Ouija Board, Communicating with the "dead" by various methods Giving "spiritual sex" by promoting masturbation and sexual behavior of any type. Likes the intensified sexual pleasure given by the demons.

Most people know that the incubus and succubus that are insatiable sexual spirits that will use their human host until they are worn out or die. Some people may like the intensified pleasure a demon brings but know this comes with a very costly price tag. The price tag is your sanity, the quality of your life, and your eventual physical destruction. Sexual demons specialize in sex but still operate in the general demonic activities of stealing, killing and destroying the person's life. Demons will use the human host for their pleasure but demons hate humans for having a body and being created in the image of God.

What demons do The result of demonic activity
interject thoughts about sex, murder, suicide

Some people think that these thoughts originate from their own minds.

Confusion of reality and role functions in daily life. Father molesting his child.
Sending images into the mind of perversion, murder, suicide. initiate a desire for more images--money and time being spent on fulfillment of sex.
Controlling the sleep function by waking the person with bad dreams of attacks by other demons chasing, torturing and killing. Sleep in interrupted by dreams and images in sleep. This leads to lack of sleep symptoms confusion.

Note From the Webmaster

Why do I write of these facts about sex and demons? The first reason is that I hate demons and what they do to people. The second reason is that the church on the whole ignores demons and their behavior. The problem is the demons do not stop attacking us because of our love for God or because we ignore them. The worst of the worst is that Demons sexually harass the spiritually innocent.

All people need to know how demons enter and demonic behavior. There are innocent children playing Bloody Mary at slumber parties or children that have a Ouija Board hidden in their room. There are young people having "spiritual sex" and think it's a cool method to have sex in a long-distant relationship. Parents, family members and friend need to be watchful of the spiritually vulnerable and help protect them. Ignorance is not bliss-ignorance can kill.

The truth is demons will destroy the quality of life and it extreme cases life itself. How do I know so much about demons? The answer is in my testimony--the demons came very close to killing me. The truth needs to be told--spirit channeling is extremely dangerous.

Occult Check List

Occult Check List

When counseling people for deliverance, it is important that all occultic involvement is exposed, including that of ancestors, where possible, as it opens the door for curses. Here is a list of things to check for - which can be handed to the person seeking deliverance.

APPENDIX 1: OCCULT CHECKLIST

Possible Demonic Entry Points:
[ ] Abstract art (under hallucinogenic stimulus)
[ ] Acupuncture
[ ] Amulets (tiger claw, shark tooth, horseshoe over door, mascots, talisman (magic picture)
[ ] Ankh (a cross with a ring top used in satanic rites)
[ ] Apparitions - occultic
[ ] Astral travel
[ ] Astrology
[ ] Augury (interpreting omens)
[ ] Automatic writing
[ ] Birth signs
[ ] Black arts
[ ] Black magic (involving hidden powers for bad ends)
[ ] Black mass
[ ] Blood subscriptions (pacts)
[ ] Cartomancy (using playing cards)
[ ] Chain letters
[ ] Charming or enchanting (attempts to use spirit power)
[ ] Charms and charming for wart removal
[ ] Chinese astrology
[ ] Clairaudience (ability to hear voices and sounds super-normally - spirited voices alleging to be those of dead people giving advice or warnings)
[ ] Clairsentience (supernormal sense perception)
[ ] Clairvoyance (ability to see objects or events spontaneously or supernormally above their normal range of vision - second sight)
[ ] Colour therapy
[ ] Concept therapy
[ ] Conjuration (summoning up a spirit by incantation)
[ ] Coven (a community of witches)
[ ] Crystal ball gazing
[ ] Crystals
[ ] Death magic (where the name of the sickness plus a written spell is cast into coffin or grave)
[ ] Demon worship
[ ] Disembodied spirits
[ ] Divining rod or twig or pendulum (Hosea 4:12)
[ ] Dowsing or witching for water, minerals, under-ground cables, finding out the sex of unborn child using divining rod, pendulum, twig or planchette
[ ] Dream interpretation (as with Edgar Cayce books)
[ ] Dungeons and dragons
[ ] Eastern meditation/religious - Gurus, Mantras, Yoga, Temples etc
[ ] Ectoplasm (unknown substance from body of a medium)
[ ] Enchanting
[ ] E.S.P. (extra sensory perception)
[ ] Findhorn Community
[ ] Floating trumpets
[ ] Fortune telling
[ ] Gothic rock music
[ ] Gurus
[ ] Gypsy curses
[ ] Hallucinogenic drugs (cocaine, heroin, marijuana, sniffing glue etc)
[ ] Handwriting analysis (for fortune telling)
[ ] Hard rock music - Kiss, Led Zeppelin, Rolling Stones
[ ] Most non-Christian Heavy metal and hard rock music - Slayer, Behemoth, AC/DC, Guns and Roses
[ ] Hepatoscopy (examination of liver for interpretation)
[ ] Hex signs (hexagrams)
[ ] Horoscopes
[ ] Hydromancy (divination by viewing images in water)
[ ] Hypnosis
[ ] Idols
[ ] Incantations
[ ] Iridology (eye diagnosis)
[ ] Japanese flower arranging (sun worship)
[ ] Jonathan Livingstone Seagull (Reincarnation, Hinduism)
[ ] Kabbala (Occult Lore)
[ ] Karma
[ ] Levitation
[ ] Lucky charms or signs of the Zodiac or birthstones
[ ] Magic (not sleight of hand but use of supernatural power)
[ ] Mantras
[ ] Martial arts (Aikido, Judo, Karate, Kung fu, Tae Kwan Do etc)
[ ] Matthew Manning
[ ] Mediums
[ ] Mental suggestion
[ ] Mental telepathy
[ ] Mental therapy
[ ] Mesmerism
[ ] Metaphysics (study of spirit world)
[ ] Mind control
[ ] Mind Dynamics
[ ] Mind mediumship
[ ] Mind reading
[ ] Moon-mancy
[ ] Motorskopua (mechanical pendulum for diagnosing illness)
[ ] Mysticism
[ ] Necromancy (conjuring up spirits of the dead)
[ ] Numerical symbolism
[ ] Numerology
[ ] Occultic games
[ ] Occult letters of protection
[ ] Occult literature, eg The Greater World, The 6th & 7th Book of Moses, The Other side, The book of Venus, Pseudo-Christian works of Jacob Lorber, works by Edgar Cayce, Aleister Crowley, Jean Dixon, Levi Dowling, Arthur Ford (The Overt Worship of Spirit Beings), Johann Greber, Andrew Jackson Davis, Anton Le Vay, Ruth Montgomery, John Newborough, Eric Von Daniken, Dennis Wheatley.
* Such books should be burned, regardless of cost.
[ ] Omens
[ ] Ouija boards
[ ] Pagan fetishes
[ ] Pagan religious objects, artifacts and relics
[ ] Pagan rites (Voodo, Sing sings, Corroborees, Fire walking, Umbahda, Macumba)
[ ] Palmistry
[ ] Pk (parakineses - control of objects by the power of the mind and will)
[ ] Parapsychology (PS) - especially study of demonic activity
[ ] Pendulum diagnosis
[ ] Phrenology (divining/analysis from the skull)
[ ] Planchette (divining)
[ ] Precognition (foreknowledge of the occurrence of events)
[ ] Psychic healing
[ ] Psychic sight
[ ] Psychography (use of heart shaped board)
[ ] Psychometry (telling fortunes by lifting or holding object belonging to the enquirer)
[ ] Punk rock music
[ ] Pyramidology (mystic powers associated with models of pyramids)
[ ] Rebirthing
[ ] Reincarnation
[ ] Rhabdomancy (casting sticks into the air for interpreting omens)
[ ] Satanism
[ ] Seances
[ ] Self hypnosis
[ ] Significant pagan days
[ ] Silva Mind Control (SMC - Psychorientology)
[ ] Sorcery
[ ] Spells
[ ] Spirit knockings or rappings
[ ] Star signs
[ ] Stichomancy (fortune telling from random reference to books)
[ ] Stigmata - ie occultic types.
[ ] Superstitions (self or parents or grandparents)
[ ] Table tipping
[ ] Tarot cards (22 picture cards for fortune telling)
[ ] Tea-leaf reading
[ ] Thought transference
[ ] Tk (telekineses - objects move around room, instruments play, engines start...)
[ ] TM (Transcendental Meditation
[ ] Trances
[ ] Transmigration
[ ] Travel of the soul
[ ] UFO fixation
[ ] Uri Geller
[ ] White magic (invoking hid-den powers for `good ends')
[ ] Witchcraft
[ ] Yoga (involves Eastern demon worship
[ ] Zodiac charms, birthdates
[ ] Zodiac signs
* Acts 19:19: "Also, many of those who had practiced magic brought their books together and burned them in the sight of all. And they counted up the value of them, and it totaled fifty thousand pieces of silver."
* Deuteronomy 7:25&26: "You shall burn the carved images of their gods with fire; you shall not covet the silver or gold that is on them, nor take it for yourselves, lest you be snared by it; for it is an abomination to the Lord your God.
Nor shall you bring an abomination into your house, lest you be doomed to destruction like it; but you shall utterly detest it and utterly abhor it, for it is an accursed thing."

APPENDIX 2: NON-CHRISTIAN RELIGIONS AND CULTS

* 1 Timothy 4:1 says: "Now the Spirit expressly says that in latter times some will depart from the faith, giving heed to deceiving spirits and doctrines of demons..."

Ananda Marga Yoga Society, Anthroposophical Society (Eurythmy, Rudolf Steiner, Waldorf Schools); Astara, Bubba Free John; Bahai; Buddhism; Children of God (Family of Love); Christadelphians; Christian Science; Church of the Living Word (John Robert Stevens "The Walk"); Church Universal and Triumphant (Elizabeth Clare Prophet); Confucianism; Divine Light Mission (Guru Maharaj Ji); Druids Lodge; ECKANKAR (Paul Twitchell); Enlightment (heightened awareness, nirvana, satori, transcendental bliss, god-realisation, expanded consciousness, altered perception of reality, cosmic consciousness etc); Esalen Institute (Michael Murphy); e.s.t. (Erhard Seminar Training); Foundation faith of the Millenium (Robert de Grimston); Foundation of Human Understanding (Roy Masters); Freemasonry; Gurdjieff/Subud/Renaiisance (Esoteric Christianity); Hare Krishna; Hinduism (Karma, reincarnation, avatars, Bhagavad-Gita, Yoga, T.M.); Holy Order of MANS; Inner Peace Movement; International Community of the Christ/The Jamilans; Jehovah's Witnesses (Dawn Bible Students); Krisnamurti Foundation of America; Meher Baba (Sufism Reorientated Inc); Mind Sciences; Mormons (Church of the Latter Day Saints); Mukatananda Paramahansa (Siddha Yoga Dham Centres); Neo-Gnosticism; New Age Movement; Nichiren Shoshu/Soka Gakkai (NSA Lotus Sutra); Rastafarianism; Ratanaism; Religious Science; Rev Ike (Frederick Eikeren Koetter); Rev Sun Myung Moon (Moonies, Unification Church); Rosecruicianism (AMORC); Sathya Sai Baba; Scientology (L. Ron Hubbard Dianetics); Self Realisation Fellowship; Sharmanism; Shintoism; Spiritual Frontiers Fellowship; Spiritualism/Spiritism; Sri Chimnoy; Swami Kriyananda; Swami Rami; Swami Vivekananda (Vedanta Society); Swedenborgianism; Taoism; Theosophy; Urantia; Unity School of Christianity (Charles Myrtle and Lowell Fillmore); Yogi Bhajan (Sikh Foundation/3HO Foundation); Zen.

The Occult and Music



Perfect Sound Forever

The Occult and music


Aleister Crowley, who made a cameo appearance on the cover of Sgt Pepper's
Photo from Aleister Crowley Foundation

By Gary Gomes
(January 2004)

If one defines the occult as the unseen (which is technically is) then it would be easier (and less lengthy) to write an article on times that music was not affected by the unseen world than on the times it was.


In the world music tradition, we have rather extensive history (extending all the way back to the Greeks) of the use of music to induce certain states- modes were thought to have certain qualities. There is even some evidence to suggest that the Egyptians used music as a healing tool This anticipated the later utilization of these techniques by figures as diverse as Sun Ra, Jimi Hendrix, the Misunderstood, Rudolph Steiner, various "new age practitioners" such as Stephen Levine and the biased experiments tying plant growth to listening to classical music.

1 These types of customs are utilized in Africa, India, South America and within most native cultures (shamanic cultures from Russia to the Americas to the Pacific) have some kind of tradition of sacred song to them. The links run from the Russian shamanic traditions, the Australian aborigines to East Indian Gandharva Veda and Karnatak musics to Hawaiian chanting, to perhaps the most infamous occult music tradition of all, the Yoruban culture in Africa which found its expression as Voudon (Voodoo) in Haiti and Santeria throughout most of the remainder of South America. This tradition has found its way into contemporary culture through jazz, tango, Cuban music, and of course, blues and rock and roll (more on this later).

2
Getting back to tradition, in the more mainstream religions, it is valuable to know that Moslem, Hindu and Hebrew prayer is usually chanted, not spoken, and there are literally hundreds of books in all these cultures regarding the power of chanted prayer. Balinese and Javanese Gamelan and African Joujouka are vessels for worship. And the Western church also has a tradition of its own of this type—plainsong or proportional chant, which later evolved into Gregorian chant, was one of the basic building blocks of the Western music tradition. Also, as the years progressed, every major composer from the Renaissance onward (and even before) devoted most of their output to sacred work, up to and including 20th century composers like Stravinsky (occasionally) and Messiaen (mostly). A great many composers also chose subject matter of a more obscure occult/spiritual tilt. Mozart wrote overtly about Masonic principles in his opera "The Magic Flute"; Scriabin seemed under the influence of the Theosophical movement of his day with his Prometheus Symphony; Richard Strauss "Also Sprach Zarathustra" is a piece dedicated to Nietzche but also to the misunderstood principles of the founder of the Zoroastrian religion (considered to be the first continuous monotheistic religion; in its current state it is a realtively small religion practiced pretty much exclusively in Iran and in a small colony (Parsi) in Bombay, India); Erik Satie was a Rosicrusian who applied some of the principles of this secret society to his piano pieces; Dane Rudhyar and Gustav Holst were astrologers; Olivier Messiaen wrote numerous pieces dedicated to his unique form of Roman Catholic mysticism, but borrowed from Indian ragas and birds (St. Francis of Assisi being the Catholic link) and also wrote huge works drawing on Indian and Japanese works; and Schoenberg's most ambitious work was the unfinished opera Moses and Aron.

The most anti-mystical composer of the 20th century (he claimed that the imagery of the Rite of Spring was derived from the music, and the large pagan gathering that was this major piece's program was inspired by the music, not vice versa) Stravinsky, wrote at least two major sacred works—the Canticum Sacrum and the Symphony of Psalms.


Among more contemporary composers, Stockhausen has written works about mantra, the creation and the archangel Michael; Penderecki has written religious works and mystical works, as has Ligeti ("Lux Eterna"), John Cage was directly inspired by Zen and Indian thought about music, while the minimal trio (Riley, Reich, and Glass) are well known for their interest in Indian music, African and Hebrew traditions, and Tibetan Buddhism, respectively. As George Crumb wrote the piece "Black Angels," there was definitely an air of foreboding in the late 1960's and early 1970- like "Tubular Bells," this piece did not start out as an "occult" piece but became one by association by virtue of its inclusion in the soundtrack to the Exorcist (an overtly occult piece like Stairway to Heaven was only marginally associated with occultism, by contrast). The mystical tradition that inspired Wagner is well-known. His finest work (also his last) is a opera called "The Comedy at the End of Time" in which the world comes to an end, prophesied by Sibyls and Anchorite monks and Lucifer is finally forgiven by God for his transgressions and accepted back into God's hands. Even Glenn Branca talks about angels and devils in his Symphonies (and I have left out a ton of composers, I know, from Beethoven's "Missa Solemnis" to Handel, Haydyn, Bruckner, well…it never ends.) We'll talk about blues, jazz and rock further on.


Where do these people come up with this stuff?
First of all, as one of my friends remarked to me long ago, music, being an auditory phenomenon, is not visible, save as a representation on sheet music. It is an occult (unseen) science. It seems to come from everywhere. We interpret it in a congregation (the audience) and it has a wide variety of "secret messages" to it. We can go all the way from the meanings that people derive from lyrics or music to the truly insipid interpretation of lyrics by the "Paul is dead" mania of the late 1960's to Geraldo Rivera hearing the words "Son of Sam" in Jimi Hendrix's "Purple Haze" to the even more stupid "backwards masked" lyrics of Led Zeppelin, among others. Before any of you ever reads too much into a song lyric again, I strongly encourage you to read Julian Jaynes' Origins of Consciousness in the Bicameral Brain. In it, he discusses the cross talk of schizophrenics as the model for messages from the Gods to early cultures. It is a fascinating bit of work and one that should give pause to any one who thinks they hear a message from anywhere—be it from a grizzled singer who can barely pronounce the words he is singing because of a drug-addled state or a "blues" affectation.


Thankfully, apart from Geraldo and a few Beatles-maniacs in the 1960's (they are back, by the way and on the Internet), most of us don't pay too much attention to words we can't understand on records. Also, this diatribe should not be taken to mean that

1) their isn't real occult or spiritual significance to the music we enjoy or

2) that music can not be a consciousness altering experience for some people, even from sources that I would not necessarily like.

Both exist; but like anything else unseen, interpretation must be made with caution. Blues, rock, and jazz, it must be noted, are many times made in the presence of mind-altering substances. To get to the essence of this, it is always useful to recall that alcohol is called "spirits" for a reason. It has a potency that opens us up to very positive or very negative experiences. Also, the grandfather of these musics is a blend of two musics that have profound occult roots—the Yoruban and the Celtic cultures, for blues came out of Africa, jazz came out of Europe and Africa (adding sex from the whorehouses – in the old days there used to be sacred sex temples in various cultures)– and rock coming out of blues and old country. And country came out of the old Celtic folks who settled in Tennessee. Ever wonder why groups like Fairport Convention and Jethro Tull had such an easy time blending rock rhythms into these weird little English folk pieces?


The blues certainly had its share of occult imagery working for it. There is of course the Robert Johnson legend of him going to the crossroads. This is a place in most cultures where demons gather or the devil appears. According to one sensationalistic television special I saw, the Allman Brothers Band used to spend time at Johnson's grave and apparently picked up some kind of a curse by hanging out there- hence the deaths of Duane Allman and Berry Oakley. Pieces like "Got My Mojo Workin" or even Screamin' Jay Hawkins' "I Put A Spell on You" are obviously huge parts of the history of rock and roll. Even the sex and drugs part of rock represent a sacred tradition, because sex, if used properly, can lead to enlightenment or power, as can alcohol or drugs—but they are considered rather dangerous for unprepared individuals, so a variety of spiritual traditions—in the far east (India with Tantra and Aghora), Shamanic cultures, and even, from what I know of the Santerian—require long periods of preparation before these substances are used for spiritual purposes. Here in the United States, all you need is a fake ID, a drug connection, and (maybe) a condom and you're all set.

3
Anyone who has ever been to a rock concert sober knows the sense of power you feel from seeing thousands of fans masses… and most of us have been witness to the power of sex, either in our own lives or through proximity. Jim Jones (and many sect leaders) slept with his female devotees not only for pleasure, but for power and dominance. The Hare Krishnas (ISKCON) also had stories of rogue Western gurus who abused their positions for sexual dominance.

4 The organization has made major changes over the past twenty years to ensure that the power struggles and corruption that plagued certain parts of the organization in the 1980's do not recur). And think to the recent Heaven's Gate cult—the leader, plagued by guilt or fear over his homosexuality, convinced many cult members to become Eunuchs—actually, somewhat perversely following a pattern that exists in the early Western church of eunuchs (Origen, one of the truly great early church thinkers and founders, was a Eunuch.


Moving into music, it was a well-known custom in certain circles to castrate male choirboys in order to retain the high pitched purity of their voices, although this was apparently, done more for aesthetic reasons than spritual—if only they had been blessed with the falsetto control of, say, Frankie Valli. It happens in certain pagan traditions also- according to one who claimed to belong to a family of witches, Alex Sanders, ritual castration was once part of becoming a witch (he got away with a nicked scrotum, though). In India, certain dovotees of Shiva engage in surgery to eliminate sexual desire to this day, and a very bizarre group—the Harridan—go from village to village looking for male children with either deformed sexual organs or with hermaphroditic tendencies, and claim these children as part of their group. The group dress in women's clothes and have a reputation for being powerful magicians. It is rare that parents refuse their demand for a child, because of the fear of a curse.

These individuals take the child, cut away all vestiges of maleness and travel the country, telling fortunes and offering magic remedies to villagers—while seeking new recruits. Power, intoxication and the creative energy of the universe (sex) are difficult to withstand. Many sects call for abstinence, for similar reasons—abstinence builds up energy in most people, which can be transmuted to satisfy the goals of the group or given proper guidance, can be channeled through the body to create higher states of consciousness.



Israfel, the angel of music
Artwork by Ruth Frasur


Watch an evangelical meeting sometime (or better yet a snake handling session—watch this on TV!)---you'll see, in many cases, the kind of fervor connected with a rock concert, If you witness a coven meeting (which is not as tough to do now as in the past) you will notice the same kind of energy. I have seen cabalistic and Santerian rituals (no animal sacrifice) that have similar energy.

I have been part of Hindu rituals that have the same energy as a great musical experience, and I have been at concerts that have a truly sanctified feeling to them. But the experiences range from the ecstatic (Mahavishnu, Alice Coltrane, Magma, Cecil Taylor) to the oddly detached (Leo Smith and Marion Brown, or ZAJ, led by Walter Marchetti and Juan Hidalgo, two Cage disciples) to the traditional (Korean Ah Ahk Theatre, Gamelan, Hare Krishna temple celebrations, chanting, church).

Some included the desire to communicate and make more money in the process- Chick Corea's move to fusion, starting with the Moreira-Purim Return to Forever through the Mahavishnu-inspired groups, coincided with his involvement in Scientology. Although it is not known how deeply involved Coryell was with spirituality after he left Sri Chinmoy's tutelage, his most successful band, the Eleventh House, was named for an astrological term. Some of the classical pieces that were inspired by spiritual concepts, like Messiaen's work ("Quartet for the End of Time" comes to mind, but there are so many more), Dane Rudhyar's pieces, Bach's religious works, Stravinsky's pieces, Penderecki (The Passion of St. Luke), Michael Tippett's The Vision of St. Augustine and King Priam (in both pieces the lead character has a vision of the totality of creation all at once; this is similar to some Hindu concept of God realization); Stockhausen's Hymnen and Mantra, and even Cage pieces inspired by Zen, are truly amazing—they are great pieces of art no matter what the context and I am not even touching upon one tenth of all the great religious pieces.
Oddly enough, because spirituality and overindulgence in sex and drugs have both produced some great music, it is tempting to look for a link—and there is. Both elements involve a loss of identity and surrender to something else… God, wine, bliss. Certain types of reggae (such as dub) and certain varieties of psychedelic (and later) rock and jazz showed some extraordinary music that would probably not have been made without the influence of intoxicants.

Sometimes intoxicants precipitated a crisis that led to other things. We are all familiar of the various stories of how drugs (particularly alcohol, psychedelics, speed, and the harder drugs -- cocaine and heroin in particular have wreaked havoc on people's lived. This has brought on death (Charlie Parker, Jimi Hendrix, Jim Morrison, Kurt Cobain and Keith Moon to name a select few), ruined or interrupted careers (Syd Barrett, Brian Wilson, Peter Green, Skip Spence, Ginger Baker, and David O'List) or led to lame music (Eric Clapton and Lou Reed)—to name the two people I wished hadn't performed when they were on drugs) and animal abuse (accidentally on Ozzie Osbourne's part, intentionally—for which my estimation of him went down enormously—on the part of John Cale).

But Santeria and Voodoo regularly engage in animal sacrifice, and many religions around the world, including Biblical Judaism and certain older sects of Hinduism, engaged in animal sacrifice. But these seem to be used for the release of energy, which I think is totally unnecessary and to be honest, repellant.


Linking the pattern back to spirituality, part of the myth of Syd Barrett relates how he was interested in joining a sect of mid-Eastern mystics who practiced astral travel to planets—also practiced in India—but the group felt he was too immature to handle it. He resorted to a diet of LSD in order to produce the effect—explaining the emphasis on the first two Floyd LP's—but burned himself out from chronic use of LSD, from which he has apparently still not recovered. Syd sacrificed himself to his spiritual and material ambitions in a pattern not very different from martyrs and hasn't rock has its share of "martyrs" to its life style, such as Hendrix, Morrison, Moon, Cobain and Laughner, to name just a few?


But there are also stories of marvelous second chances, like John Coltrane's incredible rebirth and spiritual awakening in the 1960's. But these are very rare and Coltrane only had a short span of time in which to spread his new gospel. Disciples like Pharaoh Sanders and his wife Alice Coltrane, despite great initial popularity, vanished into obscurity by the late 1970's (although they re-emerged) and the ones who exceeded Coltrane's spirituality (like Ayler) were found dead in the East River in the late 1960's under bizarre circumstances. Although Coltrane really got into some incredibly mystical places (albums included titles like the churning "Meditations" (this piece sounds like one of the foundation stones for the German Free Jazz scene of Brotzmann and the late Peter Kowald), Om, Interstellar Space (homages to the planets in duets with drummer Rashied Ali) and the comparatively tame classic A Love Supreme. Ayler's entire set of work was spiritually based., from his earliest to his last lame rock-based work.

Titles like "Witches and Devils," "Ghosts" and "Universal Indians" barely hint at Ayler's ecstatic virtuosity. Anybody who just thinks he was blowing straight simple themes should listen with care to, for example, "Ghost" on his Love Cry LP in which he dances in and out of the melody, dropping notes and catching them intentionally like he was using the silences as a type of spiritual counterpoint, while Milford Graves does everything he can to avoid keeping a beat and Alan Silva keens to the higher consciousness. It's an amazing, ECSTATIC performance—quite startling. Are the missing notes being played by the Ghosts?


And Sun Ra's interest in Egypt, and spirituality was not just for show. When I met him and spoke with him in 1973 (it was an interview in only the loosest sense of the word—more of a Sun Ra lecture), one of the things he told me to do was to look up a book that I would be interested in at the University of California at Berkeley.

The book Urantia has to be one of the strangest books ever written—it was written through a technique that would later be called "channeling" but was composed in the early twentieth century by a spirit possessing a well-placed man in an apparently well-placed group of people. If such a thing were to happen today, there would be a rush to record it or make a television series about it. But, being "well-placed" at that time meant that you would not want anyone else to know of this, so a group met and recorded the book in secret.

The book purports to be a history of the universe told from the creation, and Ra was fascinated by it. In one of the chapters of the book, it spoke of Green, blue, orange people—so much so that Ra felt this was why people had distinct color preferences throughout their lives. Somebody who liked green clothing was probably a green person in previous lifetime. He also spoke freely about angels and UFO abductions he had experienced.

This was in 1973, long before this kind of thing became popular. Albert Ayler also had a famous vision in which he and his brother were zapped by a flying saucer but were immune to its negative effects because they possessed holy marks. This type of dream is not dissimilar to the belief in certain Indian sects that UFO's represent highly evolved spiritual beings who are intent on deceiving humanity for their own ends the one populated by faerie, vampires, ghosts and all the occult mischief makers.

5 Interestingly enough, in some meditation circles, some folks seem to encounter UFO-like characters when they start to make spiritual progress, but these characters are considered distractions, not helpers.


My meeting with Sun Ra marked a time (1973) during which interest in the metaphysical and the occult was just about as strong as it is now, but most of us tend to have relatively short memories, so we tend to forget that the sixties and its expansion into drugs also led to a major concurrent interest in the occult and the spiritual life. For example, astrology was HUGELY popular in the 1960's; interest in Eastern Gurus, thanks in no small measure to the Beatles involvement with Maharishi Mahesh Yogi and the Hare Krishna, was enormous. I can recall kids in college leaving to join spiritual groups—and interest in Wicca or White Magic was also quite high.

So we had a major influence of different gurus affecting musicians who had come out of the drug culture, or even who needed a refuge. Among the folks who were disciples of different gurus were of course, the Beatles who aligned themselves with TM and ISKCON—the International Society for Krishna Consciousness appealed to John for a brief while, George died an adherent to ISKCON. "The Fool on the Hill" was originally, the story goes, dedicated to the Maharishi and most of The White Album was written in retreat in India).

The Doors were into TM though Morrison was initiated into TM before the Beatles involvement: Morrison was the shaman who sacrificed himself for his vision, too in love with living on the edge to see the danger. The Beach Boys were also TM devotees, but it was too late for poor Brian Wilson, who stopped work on Smile because he was sure that his music caused some of the Topanga Canyon fires. Other followers were The Rascals whose song "It's Wonderful" is their TM tribute. There was also Pete Townshend, who devoted himself to Meher Baba- "Baba O'Riley" on Who's Next name checks him and Townshend's first solo album Who Came First was almost entirely written in dedication to him.


The jazz-rock contingent seemed drawn to Sri Chinmoy as John McLaughlin, Carlos Santana, Larry Coryell and Brian Auger were all devotees at one point in their lives. Chinmoy seemed to attract instrumental virtuosos while he himself is known for the thousands of songs and paintings he completed, as well as his feats of strength). And of course, there was Alice Coltrane (whose best work, Universal Consciousness, was inspired by her spiritual interests and other musicians, like the late Larry Young (Khalid Yasin) went over to Islam (as did Cat Stevens). And many AACM musicians (from Muhal Richard Abrams to Kalapurusha Maurice McIntyre) were drawn to African and Jewish spirituality. Other folks were drawn to Western Magick, like Graham Bond (who committed suicide in 1975), Robert Fripp (in the early 1970's before his involvement with Western guru J. G. Bennett and the Gurdjieff group), and of course, folks like Stevie Nicks. But what of the heavy metal tradition—the one most intimately (and publicly) connected to the "darker forces"?

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But the interest in the weird extra forces of the progressive rock world came to a head between 1971 and 1975, when : 1) Magma came to pre-eminence; 2) King Crimson became interested in Wicca (the Wetton-Cross-Bruford Group); 3) Yes composed titanic works dedicated to Theosophy (followed by Todd Rundgren just a little later
.7 These are only the three most obvious. Vander actually developed his own language based upon a time when he was playing free jazz in a club. As the story goes, he was playing to an unappreciative audience; and he thought about the people who were dying to play this music (think Coltrane—Vander viewed Coltrane as his major hero according to the press of the time) and he wished the audience dead—and he was going to tell them. What came out of his mouth, if we are to believe him, was the foundation of Kobaian, the language of all of the Magma music. This concept is quite a bit like "Glossalia," or speaking in tongues when possessed by the Holy Spirit, a phenomenon documented in every religion in the world. Also, I can recall a hell of a lot of apocalyptic thinking at the time—one of the reasons that Fripp gave for disbanding King Crimson in 1975 was because he thought the world was going to undergo massive disasters in 25 years and the idea of running a group seemed frivolous to him; the story changed shortly after, to the "small mobile intelligent units" concept favored by Fripp, Peter Gabriel and Brian Eno, but apocalyptic thinking was the first reason I saw in print. Not tough to see why—escalating energy prices and unemployment were starting to worry folks, and there was a real feeling of doom (perhaps fed by too much drug consumption) in the mid-1970's. The advent of Punk and Disco only seemed to make people more convinced that things would get worse and that it was time to get spiritual—in time for a variety of Gurus (eastern and Western) to fill the gaps that the cessation of drugs and partying brought. Also, pieces that had no occult origins like Mike Oldfield's "Tubular Bells" acquired satanic connotations because of its lifting of Terry Riley's trance ideas, and, of course, its use in the film The Exorcist.
In certain areas, (mainly industrial England and heartland USA) groups with huge Marshall Amplifers, and distorted guitars realized how ominous such sounds could be. They took the basic concept of Cream, the Who and Hendrix, slowed down the beat and voila, Satanic heavy metal is born.

The forerunner is probably Black Widow, an obscure English group from the late 1960's who teamed up with our friend Alex Sanders (see above) caused a minor sensation with their live shows (featuring a nude female celebrant at the end) and releasing one album which faded into obscurity because their record company wanted to push Simon and Garfunkel instead of them! So much for their association with Sanders (according to them, the most powerful man in England). Many groups, like the Crazy World of Arthur Brown (who Ritchie Unterburger correctly identified as the daddy and grand daddy of all the latter "Satanic" rockers), Atomic Rooster, Black Sabbath, Kiss, and Alice Cooper, that were essentially Hammer studios and Hollywood visions of the occult world—accidentally evil or occult at best, but entertaining for the spectacle.
The Stones, you will recall, were also involved in their earlier years—of course they had a certain number of songs and album titles in their early years.

8 And of course, there was "Dancing With Mr. D" and "Sympathy for the Devil" but their real involvement was with the films of Kenneth Anger, author of Hollywood Babylon. Anger was a Luciferian satanist and also a devotee of Alesiter Crowley (who was not a Satanist) and the movies he mad with the Stones help were a bit bizarre, disturbing, and ultimately incoherent, like Bunuel/Dali on a bad day. This interest lasted a very short while for the Stones (probably 1968-1971) but the stigma stuck. But they were the bad boys- it was expected. The other fellow who exploits in this area are best known is our friend Jimmy Page.
Jimmy Page was fascinated with Aleister Crowley and eastern mysticism (remember "Kashmir"?), but the interest with Crowley lasted for more than a few years. The late Aleister Crowley (aka "the Beast" because, as he remarked, his mother called him that) was born into a fundamentalist Christian family who also owned a brewing company. In his early college years, he essentially started tapping into his family's fortune and quickly spent it all. He was involved in the Golden Dawn, a group of occultists from turn of the century England who also included W. B. Yeats among its members.

Crowley was invited in by McGregor Mathers one of the founders of the organization who perceived Crowley as brilliant, and tried to enlist his assistance in a battle for control of the group. After a long series of disputes within the group, Crowley was out, and formed his own lodge (Mathers was disgraced and died soon after), and the Golden Dawn turned more introspective and cautious. But Crowley was convinced of his special role in the world, engaging in sex magick, drugs, esoteric rituals and demonic possession. Although he still exhibited a high level of influence through the late 1930's (and a great deal of press as "the Most Evil Man in the World"), his influence waned through the 1940's and he passed away in 1947. Although it sounds like he was just a profligate junkie, his contributions to the "new age" movement and occultism were considerable—he was quite brilliant (although incredibly egotistical, nasty and arrogant). He wrote and "ghosted" wrote many significant works of occultism, including jobs for Evangeline Adams (who made headlines as an astrologer in the early twentieth century) and Gerald Gardner (this was the man generally regarded as leading the Wiccan revival in England in the late 1940's, when it was still against the law to be a witch).

Crowley's general decline can be seen as starting when he started to get addicted to opium and heroin, among other substances. Israel Regardie, who served as his personal secretary, allegedly said that Crowley was a genius with the emotional development of a ten year old boy—which, when you come to think of it, is a good description for a great many famous rock performers.


Page's involvement with the Crowley legacy extended to the purchase of one of Crowley's homes, and the symbols that adorned Led Zeppelin IV. "Stairway to Heaven" was certainly a mystical piece of music (it was praised by Kenneth Anger as being the most "luciferian" pieces of Page's work—a definite compliment if you view Lucifer, as Anger did, as a representation of truth and beauty), but Page never made it to the stage of finishing a soundtrack to Anger's movies. There are allegations that some members of the group blamed the death of John Bonham and other untoward events upon Page's involvement with Crowley; but Bonham's drinking was getting out of hand even before Page's involvement with Crowley. The break up of Led Zeppelin probably didn't end Page's involvement with Crowley, but the public knowledge and interest in this probably declined at that stage.


The interesting thing is, in the late 1970's, especially with the advent of punk, a lot of groups seemed to back away from occult (particularly positive occult) involvement, but the advent of "Death Rock" or occult rock, which developed in s slow pattern through the following bands: Black Widow - Atomic Rooster - Black Sabbath Angel Witch - Venom - Pagan Altar - Widow - Witchfynde - Hell Satan - Cloven Hoof – Warhammer- Onslaught - Sabbat – Antichrist-Ragnarok - Cradle Of Filth - Megiddo Bal Sagoth - December Moon – Ewigkeit - Adorior - Hecate - Enthroned - Phantasia - Forefather - Meads Of Asphodel - Reign Of Erebus Thus Defiled - Old Forest - Annal Nathrakh. They all showed a steady but consistent interest in the underworld as a source of inspiration, although, as I indicated earlier, the evolution is part occult interest, part show biz.


Throbbing Gristle even had a bit of a run in occult circles and Genesis P. Orridge has an interest in the works of Austin Osman Spare, a contemporary of Crowley's who established the foundation of a system called Chaos magic, which draws heavily on tapping into the patterns of nature (such as repeating sets) and partially on Shamanic-inspired altered states of consciousness—which sort of fits in well with techno and other dance systems as a metaphysical delivery agent. In the progressive world, Fripp continued his involvement with discipline, Art Ensemble founder Joseph Jarman got more deeply involved with his dojo, and the Belgian groups Present and Univers Zero put out gloomy CD after gloomy CD with strong senses of foreboding.


The 1980's also saw a great deal of interest in H.P. Lovecraft's work. Lovecraft was a writer from Providence, RI who was active in the 1920's and who developed intense and foreboding mythologies about the elder gods who ruled the earth before the advent of humans and who waited to seize it again. Their worshippers were snake-like races who seemed more inspired by the influx of Southern European immigrants into the Northeast during Lovecraft's time than by any recorded legends. (Lovecraft was an introverted xenophobe. But Lovecraft inspired more than a few groups, including Caravan (!), Magma, and Univers Zero.


Other groups, that emerged in the 1980's, such as Megadeath, Ministry and Slayer, had a stronger connection with the instrumental posture of groups like Black Sabbath, but the instrumental prowess greatly exceeded that of the earlier groups. Slayer, in particular, in their earlier albums, played with a frenzy close to that of free jazz, and a truly threatening vocal style that inspired folks like Rob Zombie (from the old industrial city of Lowell, Massachusetts), but that lost a lot of its bite when you see folks like Trey Parker (creator of South Park) imitating it pretty flawlessly.

The difficult part of the late 1980's was that, with the advent of the PMRC and various Christian fundamental groups, and police looking for scapegoats, ANYTHING connected with mysticism or the occult was automatically tagged as SATANIC—even folks like Rush and Alan Parsons show up under the Satanic heading, much to my (and their) astonishment. The 1980's was also the period in which New Age music, a combination of ECM, Terry Riley, ethnic music, and a sprinkling of light electronics. This started to gain an enormous audience of over-stressed former hippies and baby boomers trying to find music that would transport them, but not force their heads to work harder than they already were. It was, in some ways, a search for a nice refuge from the hyper-materialistic eighties.
In the 1990's, interest in the occult and spirituality seemed to skyrocket to heights not seen since the mid-1970's. The introduction of drugs into a culture among youth seems to generate interest in alternative spirituality, but interest in Wicca seemed to run high in the 1990's—there are more Wiccans than Unitarians at this point—and the increasing diverse environment of the United States and Western Europe are bringing in many more religious traditions, including areas as diverse and dissimilar as Santero, Voodoo, Hinduism and Buddhism, these often having houses of worship or outlets in the same community.

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Millennium fever probably fueled a lot of interest in the occult, and disenchantment with mainstream religions also seemed at a peak in the mid to late 1990's. Prosperity in the United States always has seen us experimenting—we find that money doesn't buy happiness, or we start looking for new things to entertain us. Also, the Goth scene started to develop with a new intensity, becoming the hippie movement of the 1990's. This started to develop interest in alternative religions.

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In the later 1990's, as groups like Rob Zombie and Marilyn Manson (who is allegedly, a minister in the Church of Satan) started to gain in popularity, the middle class and fundamentalist Christianity started to get very concerned again, but the ability to confine this stuff is less easy than in the days before the internet (there must have been a great deal of gnashing of teeth when Tool thanked Satan for its Grammy award!).

The ultimate ramifications of the September 11, 2001 attacks have had the interesting effect of both increasing animosity towards foreign cultures and increasing interest, while the Church's recent spate of sexual molestation cases all around the United States have increased interest in alternative religion. Madonna, for instance, is interested in the Cabala and has had a Hindu (Indian) astrology reading done for her (this is the system of astrology that I myself practice). There has been an enormous upsurge in interest in the more metaphysically oriented music of the late 1960's and early 1970's (Gong, Magma, Hawkwind, Terry Riley, etc.)


But people are also a bit insecure and afraid now—it would only take one more successful terrorist attack to turn the U.S. into raging xenophobes. What does that have to do with music? Nothing and everything. Basically, even though I am not a big fan of some of the music I've discussed here, it does make the entire musical scene a whole lot more interesting. And I really don't want to listen to either basic rock'n'roll or Christian rock (although some of it sounds OK to me) or even new age stuff.

I grew up in a time when virtually everything was possible in music. One of the biggest disappointments in the world as it exists today is the fact that the music scene has remained as fragmented as it was in the mid-1970's onward with segregated markets. The thing that we all have to fight is the belief that we have nothing in common with the rest of the world. The universal undercurrent in every spiritual teaching stresses our similarities—the differences are for spice and flavor, not evil.


Footnotes:


1. Many of you may recall these experiments, conducted as far back as the early seventies, in which various experimenters "demonstrated" that plants responded more positively to Mozart than, let's say Megadeath. The hidden factor that was not explained up front, was that the first lady who conducted these experiments hated loud rock, indicating the distinct possibility of bias. Recent experiments have been less conclusive—I seem to recall that now country and western music is the best—but research also tends to indicate that plants seem to thrive if the researcher likes the music being used—so plants could, and mine have, thrive on a diet of free jazz, art rock, and noise. [BACK TO TEXT]


2. The more insidious side of this is that science, our new religion, is expanding on the "classical" experiments and has produced "studies" that show that learners learn better to the music of Mozart—which is odd, considering the fact that Mozart was more of a burnt out party boy than Ozzy Osboune—and many subliminal learning tapes have modeled their music on a certain number of beats oer minute that are supposed to optimize learning. In fact, a friend of mine who programs funk jazz—you know, like the Yellow Jackets, and various other fusack entities—has told me that many of the lighter (yes, Virginia, there is lighter jazz than the Yellow Jackets—all kidding aside, they are good musicians whose combination of elements just happen to annoy ME) jazz stations and producers have the music calculated so it hits a certain number of beats per minute, etc. in the theory that it will sell products better. On the surface of it, it makes sense, but, IF IT WERE TRUE, we would expect, let's say, Kenny G. to be more popular than Bruce Springsteen or the Rolling Stones and this is clearly not the case. But we will be stuck with lame jazz on the airwaves because of this misconception. And we won't even get into Scientology's take on this (refer to the section on jazz rock and Chick Corea's desire to reach people). [BACK TO TEXT]


3. There is a story circulating that Shree Rajneesh, the Rolls Royce Guru, used to preside over ecstatic dancing and (allegedly) even sexual acts performed by his disciples and, in so doing, gathered tremendous Siddhi or power. [BACK TO TEXT]


4. See the interesting book Monkey on a Stick for an interesting—though some would say biased—expose of the abuses of power in this organization, especially after Srila Prabhupada passed away. [BACK TO TEXT]


5. This theory is not dissimilar to a theory put forth by John Keel , a veteran UFO and occult investigator, who sometimes felt that UFO's were the latest manifestation of history's contact with the unseen occult world. [BACK TO TEXT]


6. An odd bit of musical trivia is that the occult connection with music can be traced to the most bizarre of connections—Desi Arnaz. It seems Desi was allegedly involved in an offshoot of Santeria in Cuba and was a devotee of one of the deities in his native Cuba. "Babalu" was apparently a tribute to this deity and one Santero (Santerian Priest) I know claimed that the conga rhythms in the "I Love Lucy" theme were actually used in worship to this deity. And they were worried about Led Zeppelin and Ozzy in the seventies! (Note to lawyers in the audience: I am not claiming that Desi was a Satanist! [BACK TO TEXT]


7. Things like the success of "Rhiannon" by Fleetwood Mac and "Dream Weaver" by Gary Wright showed mainstream acceptance of these themes. But I think "Rhiannon" in particular, pales in comparison to pieces like "Tam Lin" from Fairport Convention, a song about the evil side of the faerie folk that sent chills through me when I saw them perform it without Sandy Denny. [BACK TO TEXT]


8. I can remember innocently doing a public relations flyer in my high school that stated "Their Satanic Majesties Request Your Presence at Our Spring Dance" and it was a spring dance for two Catholic high schools. Went over like a lead balloon but I was Episcopalian and forgiven for my error. [BACK TO TEXT]


9. There have been increased attempts at Christian conversion in other cultures—the underhanded shenanigans that have occurred in India with the intention of drawing Hindus away from their native religion are extraordinary, deceitful, and reprehensible—but we are living in a time of cultural exchange unparalleled since the late 1800's, personally and through the use of the Internet. [BACK TO TEXT]


10. You haven't lived until you've gone to a Goth club and been approached by somebody who hands you a card that advertises fake vampire fangs and yellow contact lenses—then flashes his fangs at you. It's an interesting experience. [BACK TO TEXT]






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